Antari XF-310
Antari XF-310 Flight case for X-310. Dimensions (mm): L 750 W 358 H 403 Weight: 11.7Kg Compatible With: X-310 Get Your Antari XF-310 Today!
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Antari XF-510
Antari XF-510 Flight case for X-510. Dimensions (mm): L 669 W 328 H 307 Weight: 9.3Kg Compatible With: X-510 Get Your Antari XF-510 Today!
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Antari XF-515
Antari XF-515 Flight case for X-515. Get Your Antari XF-515 Today!
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Antari Z-1
Antari Z-1 Cable Length:8 m Connector:5 pin din Function:on/off Compatible With: Z-800,Z-1000 Get Your Antari Z-1 Today!
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Antari Z-10
Antari Z-10 Replacement remote for Z-800II, Z-100II, Z-1020,B-100X, B-200. Antari Z-10 Features: Cable Length: 25 ft. Connector: 1/4 Stereo Function: Fogging Switch (ON/OFF) Compatible with: Z-800II, Z-1000II, Z-1020 Get Your Antari Z-10 Today!
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Antari Z-1020
Antari Z-1020 MIRROR-PIPE TECHNOLOGY Z-1020, the most powerful DMX-controlled vertical pure fog machine which stands differently from the other Z-Series II. Its design is for special purposes and applications which you can??t find in any fog machines available. It uses mirror-piping heater technology that supports advance features and high-throughout burst mode with its extreme low energy consumption. The Z-1020 can be position on the ground to spurt fog upward to have a column of fog effect or can be mounted on the wall to easily blend the surroundings with atmospheric effect. Or lese can be used to fog in upright position by carrying the handle like ordinary fog machine. Other features include DMX on-board, built-in electronic low fluid detector. Light weight, sleek and compact design, easy installation and maintenance. Z-1020 is pefect for theatrical and studio application, large halls, concerts, DJ touring, and clubs. Custom flight cases are also an optional choice for two units of Z-1020. Antari Z-1020 Features: Power: AC100V/AC120V/AC230V/AC240V, 50Hz-60Hz Heater: 1,000W Output: 10,000 cu.ft/min First Heat-Up Time: 10 min. Tank Capacity: 2.4 Liters Fluid Consumption Rate: 13 min/Liter (100% Output) Remote Included: Z-10 (Fogging Switch: ON/OFF) Optional Remote: Z-40 (Timer Remote); Z-50 (Wireless Remote) Optional Accessories: FZ-1020 (Flight Case)2 unit...
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Antari Z-2
Antari Z-2 Timer remote with LED for Z-1500 & 3000. ANTARI Z2 Remote: A multi-function LCD remote controller to be used with the Z1500 & 3000 Antari Z-2 Features: Cable length: 10 meters Connector: 5 pin XLR Function: Timer with interval, duration and volume. Set DMX address, Manual On / Off All the above functions are displayed on a LCD screen and can be set precisely to the second or a percentage. Get Your Antari Z-2 Today!
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Antari Z-20
Antari Z-20 Replacement remote for Z-1500II, Z-300II, M-5. Antari Z-20 Features: Cable Length: 10 M Connector: 5 Pin XLR Function: Timer with Interval, Duration, and Volume; Set DMX address; continuous fogging; manual ON/OFF. Above functions are displayed on a LCD screen and can be set precisely in seconds or percentage) Compatible: Z-1500II, Z-3000II Get Your Antari Z-20 Today!
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Antari Z-30
Antari Z-30 Wireless remote for Z-1500II, Z-3000II, M-5. Antari Z-30 Features: Cable Length: 2 M Wireless Range: Up to 50 M Connector: 5 Pin XLR R.F. Address: 0~8 Compatible: Z-1500II, Z-3000II Get Your Antari Z-30 Today!
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Antari Z-4
Antari Z-4 Timer remote for Z-600 & 1000. ANTARI Z4: Standard remote control for the Z800 and Z1000 models Antari Z-4 Features: Cable length: 8 meters Connector: 5 pin din Function: Timer with interval and duration. Manual On / Off Get Your Antari Z-4 Today!
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Antari Z-40
Antari Z-40 Optional timer remote control for Z-800II, Z-1000II,and Z-1020. Antari Z-40 Features: Cable Length: 25 ft. Connector: 1/4 Stereo Function: Timer with interval and duration; manual ON/OFF Compatible With: Z-800II, Z-1000II,Z-1020 Get Your Antari Z-40 Today!
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Antari Z-5
Antari Z-5 Wireless remote for Z-800 & 1000. ANTARI Z5: Wireless remote control for the Z800 and Z1000 models Antari Z-5 Features: Wireless Range: Up to 50 meters Connector: 5 pin din Function: On / Off Get Your Antari Z-5 Today!
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Antari Z-50
Antari Z-50 Wireless remote for Z-800II, Z-1000II, Z-1020 Antari Z-50 Features: Cable Length: Wireless, up to 50 M Connector: 1/4 Stereo Function: Wireless ON/OFF Compatible With: Z-800II, Z-1000II, Z-1020 Get Your Antari Z-50 Today!
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Antari Z-6
Antari Z-6 Replacement remote for Z-300 & Z-300II faze machine. Antari Z-6 Features: Cable Length: 8 m Connector: 5 pin din Functions: timer with volume and duration; Continuous hazing; manual on/off Compatible With: Z-300 Get Your Antari Z-6 Today!
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Antari Z-8
Antari Z-8 Replacement remote for Z-1200II, Z-1200, ICE, LCU-1. Antari Z-8 Features: Cable Length: 25 ft. Connector: 4 Pin XLR Function: Timer with interval, duration and volume; continuous fogging; manual ON/OFF Compatible with: Z-1200II, ICE-101, LCU-1 Get Your Antari Z-8 Today!
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Antari Z-9
Antari Z-9 Wireless remote for Z-1200II, Z-1200, LCU-1. Antari Z 9 Wireless Remote for the Z-1200 Antari Z-9 Features: Cable Lengt: Wireless, up to 50m Connector: 4 pin XLR Function: Wireless on/off Compatible With: Z-1200 Get Your Antari Z-9 Today!
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Antari Z-9-5P
Antari Z-9-5P Wireless Remote For Antari Z-1 Get Your Antari Z-9-5P Today!
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Fender Axis Antique Sign
"Fender Axis Antique Sign Fender Axis Antique Sign Description: The phrases ""Building a Better Tomorrow"" and ""Progress in Tonality"" harkin back to the post-war days of the late 1940's, when Leo Fender was just getting started! Made from super heavy-duty 24 gauge steel, these antique metal signs are a must. Each custom Axis & Allies sign measures 12"" x 24 "", comes with four small metal grommets on each corner for hanging purposes, and is individually antiqued for that vintage, relic feel. NO TWO SIGNS ARE THE SAME!! Individually, they're strong pieces of art, but together they make any wall complete! Hang 'em anywhere... **Please Note- Just like some of our beautifully crafted Custom Shop guitars, each antique sign has been placed under a ""relic"" process. Each sign has been scratched, dinged, rusted, and chipped on purpose to give each piece a truly antique feel and originality. Please note this process before ordering** Get your Fender Axis Antique Sign today!"
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Gretsch Hot Rod Service Antique Sign
Gretsch Hot Rod Service Antique Sign Gretsch gets you back on the road! Made from super heavy-duty 24 gauge steel, these antique metal signs are a must. Each custom Gretsch Hot Rod Servicesign measures 12" x 24 ", comes with four small metal grommets on each corner for hanging purposes, and is individually antiqued for that vintage, relic feel. Just like guitars, no two are exactly alike! Get Your Gretsch Hot Rod Service Antique Sign Today!
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Antonio Hermosa Solid Cedar Top Classical Left Ha
"Antonio Hermosa Solid Cedar Top Classical Left Handed Antonio Hermosa Solid Cedar Top Classical Left Handed Description: Solid Cedar Top Classical Guitar When the classical guitar came to its own in Spain, great composers from Sor to Llobet relied on guitars that could perform their beautiful compositions with great resonance and comfortable playability. The solid cedar top guitar from Antonio Hermosa goes back to these early models to bring you the quality and craftsmanship that appealed to Spain's 19th Century composers. The solid cedar top is a necessity for a highly resonant classical guitar, a warm, clean tonewood that some believe improves with age. Available in full and 3/4 size, this model comes mahogany back, sides, and neck, 3-ply top purfling, maple binding, and gold-plated tuners. This is a great hand-crafted performance model. Available in 4/4 and 3/4 sizes Antonio Hermosa Solid Cedar Top Classical Left Handed Specifications: Top:Solid Cedar Back & Sides Mahogany Neck: Mahogany Fretboard:Rosewood Cutaway N/A Headstock Overlay:N/A Finish Type: Gloss Tuning Machines:Gold-Plated with Brown Pearloid Truss Rod:N/A Frets:18 Binding:Maple Purfling:3-Ply; Top Bridge: Rosewood Pickup: N/A Strings:D'Addario Upper Bout:11-5/8"" Lower Bout:14-5/8"" Nut, Width:2"" Body Length:19-1/8"" Scale Length:25-1/2"" Total Length:38-5/8"" Item: AH-10L Get your Antonio Hermosa Solid...
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Antonio Hermosa Solid Cedar Top Classical Guitar
"Antonio Hermosa Solid Cedar Top Classical Guitar Antonio Hermosa Solid Cedar Top Classical Guitar Description: Solid Cedar Top Classical Guitar When the classical guitar came to its own in Spain, great composers from Sor to Llobet relied on guitars that could perform their beautiful compositions with great resonance and comfortable playability. The solid cedar top guitar from Antonio Hermosa goes back to these early models to bring you the quality and craftsmanship that appealed to Spain's 19th Century composers. The solid cedar top is a necessity for a highly resonant classical guitar, a warm, clean tonewood that some believe improves with age. Available in full and 3/4 size, this model comes mahogany back, sides, and neck, 3-ply top purfling, maple binding, and gold-plated tuners. This is a great hand-crafted performance model. Available in 4/4 and 3/4 sizes Antonio Hermosa Solid Cedar Top Classical Guitar Specifications: Top:Solid Cedar Back & Sides Mahogany Neck: Mahogany Fretboard:Rosewood Cutaway N/A Headstock Overlay: N/A Finish Type: Gloss Tuning Machines:Gold-Plated with Brown Pearloid Truss Rod: N/A Frets:18 Binding:Maple Purfling:3-Ply; Top Bridge: Rosewood Pickup: N/A Strings:D'Addario Upper Bout:10-1/8"" Lower Bout:13-1/8"" Nut, Width:1-7/8"" Body Length:17-3/4"" Scale Length:22-3/4"" Total Length:36"" Item: AHQ-10 Get your Antonio Hermosa Solid Cedar Top Cla...
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Antonio Hermosa Solid Cedar Top Classical Guitar
"Antonio Hermosa Solid Cedar Top Classical Guitar Antonio Hermosa Solid Cedar Top Classical Guitar Description: Solid Cedar Top Classical Guitar When the classical guitar came to its own in Spain, great composers from Sor to Llobet relied on guitars that could perform their beautiful compositions with great resonance and comfortable playability. The solid cedar top guitar from Antonio Hermosa goes back to these early models to bring you the quality and craftsmanship that appealed to Spain's 19th Century composers. The solid cedar top is a necessity for a highly resonant classical guitar, a warm, clean tonewood that some believe improves with age. Available in full and 3/4 size, this model comes mahogany back, sides, and neck, 3-ply top purfling, maple binding, and gold-plated tuners. This is a great hand-crafted performance model. Available in 4/4 and 3/4 sizes Antonio Hermosa Solid Cedar Top Classical Guitar Specifications: Top:Solid Cedar Back & Sides Mahogany Neck: Mahogany Fretboard:Rosewood Cutaway N/A Headstock Overlay:N/A Finish Type: Gloss Tuning Machines:Gold-Plated with Brown Pearloid Truss Rod:N/A Frets:18 Binding:Maple Purfling:3-Ply; Top Bridge: Rosewood Pickup: N/A Strings:D'Addario Upper Bout:11-5/8"" Lower Bout:14-5/8"" Nut, Width:2"" Body Length:19-1/8"" Scale Length:25-1/2"" Total Length:38-5/8"" Item: AH-10 Get your Antonio Hermosa Solid Cedar Top Class...
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Antonio Hermosa Cedar Top Classical Guitar
"Antonio Hermosa Cedar Top Classical Guitar Antonio Hermosa Cedar Top Classical Guitar Description: Cedar Top Classical Guitar The Cedar Top classical guitar gives musicians an incredible sounding guitar to hone their fingerstyle technique. With mahogany back and sides, gold plated tuners with brown pearloid buttons and 3-ply top purfling, this model does not compromise on features. The traditional cedar top provides a warm, clear tone that you won't find in other entry-level models at this price range. The rosette features a multi-colored Antonio Hermosa baroque pattern for the true classical enthusiast. This guitar is perfect for students interested in the art of classical guitar. Antonio Hermosa Cedar Top Classical Guitar Specifications: Top:Cedar Back & Sides Mahogany Neck: Mahogany Fretboard:Rosewood Cutaway N/A Headstock Overlay:N/A Finish Type: Gloss Tuning Machines:Gold-Plated with Brown Pearloid Truss Rod: N/A Frets: 18 Binding:Maple Purfling:3-Ply; Top Bridge: Rosewood Pickup: N/A Strings:D'Addario Upper Bout:11-1/8"" Lower Bout:14-1/2"" Nut, Width:2"" Body Length:20-1/8"" Scale Length:25-5/8"" Total Length:38-5/8"" Item: AH-8 Get your Antonio Hermosa Cedar Top Classical Guitar today!"
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Antonio Hermosa Solid Cedar Top Narrow Fretboard
"Antonio Hermosa Solid Cedar Top Narrow Fretboard Antonio Hermosa Solid Cedar Top Narrow Fretboard Description: Narrow Fretboard (AH-10NF) with 1-7/8"" Nut Width Solid Cedar Top Classical Guitar When the classical guitar came to its own in Spain, great composers from Sor to Llobet relied on guitars that could perform their beautiful compositions with great resonance and comfortable playability. The solid cedar top guitar from Antonio Hermosa goes back to these early models to bring you the quality and craftsmanship that appealed to Spain's 19th Century composers. The solid cedar top is a necessity for a highly resonant classical guitar, a warm, clean tonewood that some believe improves with age. Available in full and 3/4 size, this model comes mahogany back, sides, and neck, 3-ply top purfling, maple binding, and gold-plated tuners. This is a great hand-crafted performance model. Available in 4/4 and 3/4 sizes Antonio Hermosa Solid Cedar Top Narrow Fretboard Specifications: Top:Solid Cedar Back & Sides Mahogany Neck: Mahogany Fretboard:Rosewood Cutaway N/A Headstock Overlay:N/A Finish Type: Gloss Tuning Machines:Gold-Plated with Brown Pearloid Truss Rod:N/A Frets:18 Binding:Maple Purfling:3-Ply; Top Bridge: Rosewood Pickup: N/A Strings:D'Addario Upper Bout:11-5/8"" Lower Bout:14-5/8"" Nut, Width:2"" Body Length:19-1/8"" Scale Length:25-1/2"" Total Length:38-5/8"" Item: AH-...
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Antonio Hermosa Cutaway Classical Guitar with EQ
"Antonio Hermosa Cutaway Classical Guitar with EQ Antonio Hermosa Cutaway Classical Guitar with EQ Description: Cutaway Classical Guitar with EQ If only the great classical guitar composers of 19th century Spain had lived to experience this! The Antonio Hermosa cutaway classical guitar is the ultimate performance model that features old world craftsmanship with updated features for contemporary players. This guitar has a solid cedar top and boasts a cutaway with clear access at the 15th fret for greater playability of higher ranges. The guitar also feature mahogany back, sides and neck, 3-ply top purfling and maple binding. The 4-band EQ is an excellent modern feature that amplifies and allows for customizing the tonal balance of this hand-crafted model. This model is great for the studio, live performance or any classical guitar setting. Antonio Hermosa Cutaway Classical Guitar with EQ Specifications: Cutaway Classical with EQ Top:Solid Cedar Back & Sides Mahogany Neck: Mahogany Fretboard:Rosewood Cutaway 15th Fret Access Headstock Overlay: N/A Finish Type: Gloss Tuning Machines:Gold-Plated with Brown Pearloid Truss Rod: N/A Frets: 18 Binding:Maple Purfling:4-Ply; b/w/b/w Bridge: Rosewood Pickup: with 4-Band EQ Strings:D'Addario Upper Bout:11-1/4"" Lower Bout:14-5/8"" Nut, Width:2"" Body Length:19-1/8"" Scale Length:25-1/2"" Total Length:38-5/8"" Item: AH-10CE Get your ...
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Antonio Hermosa Antonio Hermosa Thinbody Classical
"Antonio Hermosa Thinbody Classical Guitar with EQ Antonio Hermosa Thinbody Classical Guitar with EQ Description: Cutaway Classical Guitar with EQ Thinbody Classical Guitar AHT-10CE Body Depth only 2-13/16"" This guitar has all the outstanding features of traditional classical guitars, but with modern elements appealing to contemporary players. The lightweight classical guitar is less than 3"" thin, and has a solid cedar top, mahogany back, sides and neck, wood binding on the top, back, sides and neck, and a cutaway with 15th fret access. This model also features a pickup with 4-band EQ for performance-minded players or studio musicians. Antonio Hermosa Thinbody Classical Guitar with EQ Specifications: Top Solid Cedar Back & Sides Mahogany Fretboard Rosewood Neck Mahogany Cutaway 15th Fret Access Headstock Overlay N/A Finish Type Gloss Tuning Machines Gold-Plated w/ Brown Pearloid Scale Length 25.5"" Truss Rod N/A Frets 18 Binding Maple Purfling 4-Ply; b/w/b/w Bridge Rosewood Pickup w/ 4-Band EQ Strings D'Addario Upper Bout 11-1/4"" Lower Bout 14-5/8"" Nut, Width 2"" Body Length 19-1/8"" Total Length 38-5/8"" Get your Antonio Hermosa Thinbody Classical Guitar with EQ today!"
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Antonio Hermosa Rosewood Classical Guitar
"Antonio Hermosa Rosewood Classical Guitar Antonio Hermosa Rosewood Classical Guitar Description: AH-12 (Rosewood) Rosewood Classical Guitar Rosewood back and sides are often a favorite feature on classical guitars for the big, well-balanced qualities provided by the tonewood. Antonio Hermosa hits all the right marks with this model, capturing the craftsmanship and premium tonal qualities of centuries-old classical guitars. With gorgeous rosewood back and sides and a solid cedar top, this traditional classical guitar from Antonio Hermosa is as beautiful as it sounds. The rosewood back and sides deliver a stable yet complex tone that accentuates lower registers while keeping the highs bright and crisp. This model also features a mahogany neck with a rosewood headstock overlay, a rosewood bridge and fretboard, wood binding throughout the top, back and fretboard. This model is adorned with the multi-colored Antonio Hermosa rosette with a traditional baroque pattern. This model has the option of beautiful abalone detailing. Abalone is featured on the purfling, fretboard inlay and rosette. Antonio Hermosa Rosewood Classical Guitar Specifications: Top:Solid CedarBack & Sides Rosewood Neck: Mahogany Fretboard:Rosewood Cutaway N/A Headstock Overlay:Rosewood Finish Type: Gloss Tuning Machines:Gold-Plated with Brown Pearloid Truss Rod: N/A Frets: 18 Binding:Wood; Top, Back & Fretboar...
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M-Audio Antonio Dilillio Signature Electro Pattern
M-Audio Antonio Dilillio Signature Electro Patterns Vol. 1 M-Audio Antonio Dilillio Signature Electro Patterns Vol. 1 Description: Antonio Dilillo Signature Electro Patterns Vol. 1 - 24-bit Electro-Industrial Loops 24-bit samples for superior fidelity approximately 1.5GB of inspiring loops Acidized WAV and REX2 files Italian producer Antonio Dilillo of Cluster Sound demonstrates his flair for electro industrial sound in this intense collection. Electro-fi your tracks with the infusion of glitchy breaks, digital synths, microbeats and disjointed rhythms. All loops are delivered in 24-bit WAV and REX2 formats for maximum fidelity and flexibility-approximately 1.5GB total. Get your M-Audio Antonio Dilillio Signature Electro Patterns Vol. 1 today!
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Zildjian Antonio Sanchez Drumsticks 6 Pair
"Zildjian Antonio Sanchez Drumsticks 6 Pair Zildjian Antonio Sanchez Drumsticks 6 Pair Description: Antonio's model combines a standard shaft with extra length and a heavier front-end which allow for heavier hitting when the music demands it. The stick features a barrel tip for excellent stick definition and full drum tones, and is perfect for jazz, funk and fusion. Antonio's ""Diablo"" signature art is treated in a metallic red for extra brilliance. U.S. Select Hickory. Zildjian Antonio Sanchez Drumsticks 6 Pair Specifications: CATEGORY: Artist Series LENGTH: 16 1/4 DIAMETER: 0.55 FINISH: Natural WOOD TYPE: Hickory TIP TYPE: Wood TIP SHAPE: Barrel GENRE: Drumset: Fusion, Drumset: Jazz, Drumstick SKILL LEVEL: Advanced, Beginner, Expert, Intermediate, Professional Get your Zildjian Antonio Sanchez Drumsticks 6 Pair today!"
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Palatino Antonius Student Cello
Palatino Antonius Student Cello Palatino Antonius Student Cello Description: VC-150 Antonius cellos offer unparalleled value in their price range. This cello comes with a traditional spruce top and maple back and sides. The neck is also carved from solid maple. The outfit includes a Cordura nylon bag and a Mongolian horsehair bow. This outfit is an outstanding value for a beginning musician. Great Beginners Cello Outfit. Palatino Antonius Student Cello Features: Spruce Top Maple Back & Sides Solid Hand Carved Maple Neck Golden Brown Finish Mongolian Horsehair Bow Nylon Carrying Bag Get your Palatino Antonius Student Cello today!
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Palatino Antonius Violin Outfit
Palatino Antonius Violin Outfit Palatino Antonius Violin Outfit Description: Antonius violins are carefully hand made. The tops and backs are graduated by hand to give the instrument maximum tonal response. These violins have fine tonal properties for their price range and come in a wood hardshell case for extra protection while being lugged around school or camp. Hand Carved Solid Spruce Top Carved Solid Maple Back & Sides Hand Carved Solid Maple Neck Golden Brown Finish Hardshell Case with Tolex Cover Mongolian Horsehair Bow Available in Sizes 4/4 - 1/16 VN-150 Palatino Antonius Violin Outfit Features: Spruce Top Maple Black, Sides, & Neck Fine Tuner Tailpiece Ebonized Fittings Golden Brown Finish Deluxe Violin Rosin Ebonized Frog Bow with Mongolian Horsehair Featherweight Case Sizes 4/4 - 1/16 Get your Palatino Antonius Violin Outfit today!
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Seymour Duncan Antq for Duo Sonic
"Seymour Duncan Antq for Duo Sonic Seymour Duncan Antq for Duo Sonic Description: Replacement Pickups for Other Fender® Guitars 11034-01 & -02 neck and bridge ""soapbar,"" for duo-sonic® I've always liked pickups on a Duo-Sonic® because of their clarity and smooth tone. The neck pickups are wound ""top going"" with a North magnetic polarity. The bridge pickups are wound ""top coming"" with a South magnetic polarity. When used in combination with each other, the two will be hum-canceling. The pole pieces are flush with the top and slightly protruding from the bottom. They are specially hand-wound and come with mounting screws. Hookup wire is the classic ""push back"" cloth braid wire. Seymour Duncan Antq for Duo Sonic Specifications: Antiquity™ Pickups For Duo-Sonic® top pickup length: 2.642 top pickup width: .615 bottom pickup length: 3.392 bottom pickup width: .908 total pickup height: .582 total magnet height: .625 winding direction: top going (neck), top coming (bridge) magnet polarity: north (neck), south (bridge) calibrated yes height adjustment: 6/32 round head, phillips into body into body magnet pattern: flush with top,Inductance: 2.2 henries Q: 2.2 Get your Seymour Duncan Antq for Duo Sonic today!"
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Seymour Duncan Antq for Fender Mandolin
"Seymour Duncan Antq for Fender Mandolin Seymour Duncan Antq for Fender Mandolin Description: This single coil mandolin pickup is recreated to fit into early solid body mandolins. The coil is wound ""top coming"" and South polarity like the original. The replacement mandolin pickup comes with mounting screws, schematic, and is wax-potted. Hookup wire is the classic ""push back"" cloth braid wire. Seymour Duncan Antq for Fender Mandolin Specifications: Antiquity™ Mandolin top pickup length: 2.058 top pickup width: .630 bottom pickup length: 2.718 bottom pickup width: .875 total pickup height: .625 total magnet height: .625 winding direction: top coming magnet polarity: south calibrated: yes magnet pattern: staggered and raised above flatwork height adjustment: 6/32 screw in pickguard DC Ohms: 4.67K Inductance: 2.0 henries Q: 2.62 Get your Seymour Duncan Antq for Fender Mandolin today!"
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Seymour Duncan Antq II for Firebird
"Seymour Duncan Antq II for Firebird Seymour Duncan Antq II for Firebird Description: Firebird® Replacement 11014-09 and 10 ? antiquity II™ pickup for firebird® , neck & bridge I remember seeing Stevie Winwood play a Firebird® at a concert back in Cincinnati and it sounded amazing. It was kind of like a cross between a single coil and a humbucker. This pickup is similar to the mini-humbucker, but without the adjustable pole pieces. Seymour Duncan Antq II for Firebird Specifications: antiquity II™ mini-humbuckers firebird® width: 1.086 length: 2.577 max height with leg: n/a mounting ring width: n/a mounting ring length: n/a mounting ring max height: n/a minimal height: n/a adjustable pole piece length: n/a height adj. screw height: 3/8"" round-head slotted ms magnet calibration: N/S S-adj. magnet gauss: 20-25 gauss DC Ohms: 6.7K neck,8.1K bridge inductance: 2.82 henries neck, 3.75 henries bridge Q: 2.15 neck, 2.27 bridge Get your Seymour Duncan Antq II for Firebird today!"
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Seymour Duncan Antq Humbkr
"Seymour Duncan Antq Humbkr Seymour Duncan Antq Humbkr Description: 11014-01 humbucker, neck I made this model to look and sound like a well-worn '50s humbucker as originally designed by Seth E. Lover. The pickups are built to traditional standards. Each has its own character and DC resistance, just like the originals. I wanted to give the player a pickup that looks like it's been played regularly for 40 years, so I aged the nickel silver cover and the poles. Included is a front-tapered mounting ring and the screws that go with it. The pickup is not wax potted, which retains the vintage sound and appearance. Crafted by hand in my ""Antiquity"" room, each pickup is signed on the magnet and bottom plate to guarantee you are getting an original Seymour W. Duncan Antiquity™ . 11014-05 humbucker, bridge Like the neck position model, the bridge position humbucker is a faithful replica of the great sounding ""patent applied for"" humbuckers that Seth E. Lover designed in 1955. The pickup comes with slight variations in DC resistance, just like the old ones. I decided to wind the bridge pickup a little hotter and better balanced for its position. The mounting ring is slightly higher for the increased pickup height. The pickup is not wax potted to retain the sound and appearance of the originals. Again, each pickup is built by hand in my ""Antiquity"" room and every magnet and...
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Seymour Duncan Antq II for Jaguar Jet
"Seymour Duncan Antq II for Jaguar Jet Seymour Duncan Antq II for Jaguar Jet Description: 11034-25 & 26 · antiquity II™ pickup for jaguar® neck & bridge The mid-'60s Jaguar® was an important part of the surf sound for dozens of Southern California bands and was heard on many TV and movie soundtracks. This replica of the '60s pickup is perfect for restoring your instrument or replacing damaged or non-existing pickups. The pickup is a direct replacement that fits existing Jaguar ""claw"" pickup covers. The pickup will restore the traditional sound of your instrument. Seymour Duncan Antq II for Jaguar Jet Specifications: Antiquity II™ Pickups For Mustang® For Jaguar® For Jazzmaster® top pickup length: 2.630 top pickup width: .612 bottom pickup length: 3.285 bottom pickup width: .612 total pickup height: .605 total magnet height: .688 winding direction: top going (neck), top coming (bridge) magnet polarity: north (neck), south (bridge) calibrated yes height adjustment: into body magnet pattern: raised top and bottom DC Ohms: 6.8K Inductance: 3 henries Q: 3.1 Get your Seymour Duncan Antq II for Jaguar Jet today!"
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Seymour Duncan Antq II for Jazzmaster Jam
"Seymour Duncan Antq II for Jazzmaster Jam Seymour Duncan Antq II for Jazzmaster Jam Description: 11034-31 & -32 neck and bridge for jazzmaster® The neck position is wound ""top going"" and North polarity. The bridge position is wound ""top coming"" and South polarity. When used in combination with each other the pickups will be hum-canceling. Both pickups have the traditional pole spacing. The magnets are protruding from the top and bottom of the flatwork for a smooth even response. Each pickup is recreated to fit in your old classic and comes with schematic and mounting screws. Hookup wire is the classic ""push back"" cloth braid wire. Seymour Duncan Antq II for Jazzmaster Jam Specifications: Antiquity™ Pickups For Jazzmaster® top pickup length: 3.530 top pickup width: 1.512 bottom pickup length:3.530 bottom pickup width: 1.512 total pickup height: .318 total magnet height: .471 winding direction: top going (neck), top coming (bridge) magnet polarity: north (neck), south (bridge) calibrated yes height adjustment: into body magnet pattern: raised from top and bottom DC Ohms: 8.3K Inductance: 4.2 henries Q: 3.5 Get your Seymour Duncan Antq II for Jazzmaster Jam today!"
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Seymour Duncan Antq II For Jazz Bass
Seymour Duncan Antq II For Jazz Bass Seymour Duncan Antq II For Jazz Bass Description: 11044-05 and 06 · antiquity II™ pickup for jazz bass® , neck & bridge The Jazz Bass pickup is made to the specifications of the mid '60s production instruments and is very similar to the pickups I re-wound for Jaco back in the early '80s. The pickup is wound for the right amount of output and brightness without being too muddy or thin. Seymour Duncan Antq II For Jazz Bass Specifications: Antiquity II™ for Bass® Jazz Bass® top pickup length: 3.492 top pickup width: .628 bottom pickup length: 3.492 neck,3.625 bridge bottom pickup width: .628 total pickup height: .695 total magnet height: .780 winding direction top going neck,top coming bridge magnet polarity: north neck,south bridge calibrated: yes pickup cover length: 3.602 neck ,3.715 bridge pickup cover width: .718 pickup cover height: .750 height adjustment: screwed into body cavity magnet pattern: raised top and bottom DC Ohms: 8.97K inductance: 4.25 henries Q: 2.79 neck,2.64 bridge Get your Seymour Duncan Antq II For Jazz Bass today!
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Seymour Duncan Antq II Mustang Myth
Seymour Duncan Antq II Mustang Myth Seymour Duncan Antq II Mustang Myth Description: 11034-05 & 06 · antiquity II™ pickup for mustang® neck & bridge I saw my first Mustang guitar on a '60s TV show called Shindig and a guitarist by the name of Jerry Cole doing solos for many guest artists. Soon after that, I had my band members drive me to 8th Street Music in Philadelphia to buy my first Mustang. The '60s Mustang replica pickups feature the same look and sound of the early pickups. The Alnico V magnet's surface looks different from the older Duo-Sonic™ pickups which used untumbled Alnicos. I re-created this same look. This pickup can also be used in a Stratocaster® for cool tones. Seymour Duncan Antq II Mustang Myth Specifications: Antiquity II™ Pickups For Mustang® For Jaguar® For Jazzmaster® top pickup length: 2.642 top pickup width: .615 bottom pickup length: 3.392 bottom pickup width: .908 total pickup height: .582 total magnet height: .625 winding direction: top going (neck), top coming (bridge) magnet polarity: north (neck), south (bridge) calibrated yes height adjustment: 6/32 round head, phillips magnet pattern: flush with top,raised bottom DC Ohms: 6.3K Inductance: 2.2 henries Q: 2.2 Get your Seymour Duncan Antq II Mustang Myth today!
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Seymour Duncan Antq II for Precision
"Seymour Duncan Antq II for Precision Seymour Duncan Antq II for Precision Description: 11044-16 antiquity II™ pickup for p-bass® This P-Bass® replica pickup features the look and sound of the '60s tradition. It's perfect for restoring your old instrument and comes with a brass bottom plate to help insure ease of mounting. The coils are balanced for noise free performance. 11044-17 ? antiquity II™ pickup for single coil p-bass® Often called the Tele® Bass, this pickup keeps the traditional look of the '50s and '60s. The slightly stronger Alnico V rod magnets gives the pickup more presence and output. It's a little fatter and fuller-sounding than the '50s Antiquity pickup. Seymour Duncan Antq II for Precision Specifications: Antiquity II™ for Bass® P-Bass® For Single Coil P-Bass® top pickup length: 2.142 2.880 top pickup width: 1.003 .768 bottom pickup length: .142 3.3352 bottom pickup width: 1.003 1.00 total pickup height: .435 .625 total magnet height: .531 .625 winding direction tc/tg top coming magnet polarity: south/north south calibrated: no calibrated pickup cover length: bridge 2.221 n/a pickup cover width: 1.088 n/a pickup cover height: .550 n/a height adjustment: screwed into body cavity 6.32"" round-head phillips ms magnet pattern: raised top and bottom fl...
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Seymour Duncan Antq II for Strat Surfer
Seymour Duncan Antq II for Strat Surfer Seymour Duncan Antq II for Strat Surfer Description: Don't let the name fool you: the '60s Surfer™ pickup would be equally comfortable in the smoky clubs of Chicago's West Side as hanging ten at the Malibu Pier. The Antiquity II Surfer is hailed by many members of the Seymour Duncan User Group Forum as the ultimate pickup for vintage Strat® chime and quack. Whether you play Blues, West Side Soul, Surf, or Jangle Pop, the Surfer has the sweet highs and percussive lows to give you and your Strat a Free Ride on the Way Back Machine without sacrificing output or versatility. A Custom Bridge version is available for those players needing more output from the bridge position; and an RW/RP version is available for the middle position. Seymour Duncan Antq II for Strat Surfer Specifications: antiquity II™ for strat® custom bridge surfer™ top pickup length: 2.642 2.642 top pickup width: .615 .615 bottom pickup length: 3.392 3.392 bottom pickup width: .908 .908 total pickup height: .582 .582 total magnet height: .705 .705 winding direction: top going top going magnet polarity: south sout...
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Seymour Duncan Antq II for Telecaster Twang
"Seymour Duncan Antq II for Telecaster Twang Seymour Duncan Antq II for Telecaster Twang Description: 11024-32 & 33 ? antiquity II™ for tele, rhythm & lead Back in the mid '60s, Fender was only making Tele® s with rosewood fingerboards. I kept asking Bill Carson to make an all-maple slab board neck for me. These pickups are pretty much the same ones that I wound for that guitar - one of my all-time favorite Tele®s. I keep the tone and look faithful, but I also wax pot them to reduce unwanted feedback when using high powered amps and effects. Seymour Duncan Antq II for Telecaster Twang Specifications: Antiquity II™ for Tele® Neck Bridge top pickup length: 2.565"" 2.870"" top pickup width: .585"" .770 "" bottom pickup length: 3.150"" 2.885"" bottom pickup width: .780"" 1.510"" total pickup height: .670"" .678"" total magnet height: .625"" .625"" winding direction: top going top coming magnet polarity: north south calibrated no yes pickup cover length: 2.565"" none pickup cover width: .585"" none pickup cover height: .570"" none height adjustment: screwed into body cavity 6/32 round head, slotted magnet pattern: flush top, raised bottom staggered & raised above flatwork DC Ohms: 7.6K 6.4K Inductance: 2.13 henries 2.1 henries Q : 1.80 2.05 Get your Seymour Duncan Antq II for Telecaster T...
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Seymour Duncan Antq for Jazz Bass
"Seymour Duncan Antq for Jazz Bass Seymour Duncan Antq for Jazz Bass Description: The neck position is wound ""top going"" and North polarity. The bridge position is wound ""top coming"" and South polarity. When used in combination with each other the pickups will be hum-canceling. Both pickups have the traditional pole spacing. The magnets are protruding from the top and bottom of the flatwork for a smooth even response. Each pickup is recreated to fit in your old classic and comes with black aged pickup cover, schematic, and mounting screws. Hookup wire is the classic ""push back"" c braid wire. Seymour Duncan Antq for Jazz Bass Specifications: Antiquity™ for Jazz Bass® Neck Bridge pickup length 3.492 3.625 top pickup width: .628 .628 bottom pickup length: 3.492 3.625 bottom pickup width .628 .628 total pickup height .695 .695 total magnet height .780 .780 winding direction: top going top coming magnet polarity: north south calibrated yes yes pickup cover length: 3.602 3.715 pickup cover width: .718 .718 pickup cover height: .750 .750 height adjustment: screwed into body cavity screwed into body cavity magnet pattern: raised top and bottom raised top and bottom DC Ohms: 8.67K 8.97K Inductance: 4.16 henries 4.25 henries Q: 2.79 2.64 Get your Seymour Duncan Antq for Jazz Bass today!"
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Seymour Duncan Antq for Jazzmaster
"Seymour Duncan Antq for Jazzmaster Seymour Duncan Antq for Jazzmaster Description: 11034-31 & -32 neck and bridge for jazzmaster® The neck position is wound ""top going"" and North polarity. The bridge position is wound ""top coming"" and South polarity. When used in combination with each other the pickups will be hum-canceling. Both pickups have the traditional pole spacing. The magnets are protruding from the top and bottom of the flatwork for a smooth even response. Each pickup is recreated to fit in your old classic and comes with schematic and mounting screws. Hookup wire is the classic ""push back"" cloth braid wire. Seymour Duncan Antq for Jazzmaster Specifications: Antiquity™ Pickups For Jazzmaster® top pickup length: 3.530 top pickup width: 1.512 bottom pickup length: 3.530 bottom pickup width: 1.512 total pickup height: .318 total magnet height: .471 winding direction: top going (neck), top coming (bridge) magnet polarity: north (neck), south (bridge) calibrated yes height adjustment: into body magnet pattern: raised from top and bottom DC Ohms: 8.3K Inductance: 4.2 henries Q: 3.5 Get your Seymour Duncan Antq for Jazzmaster today!"
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Seymour Duncan Antq For Stringmaster Lap Steel
"Seymour Duncan Antq for Stringmaster Lap Steel Seymour Duncan Antq For Stringmaster Lap Steel Description: Lap Steel and Mandolin 11034-41 and -42 front side and rear-side pickup for stringmaster® Originally developed for Johnny Farina of ""Santo & Johnny,"" the pickup for Stringmaster® is wound for that distinct lap steel sound. The front-side position is wound ""top going"" and North polarity. The rear-side position is wound ""top coming"" and South polarity. When used in combination with each other the pickups will be humbucking. Both pickups have the traditional pole spacing. The magnets are protruding from the top and bottom of the flatwork for a smooth even response. Each pickup is recreated to fit in your old classic and comes with schematic and mounting screws. Hookup wire is the classic ""push back"" cloth braid wire. Seymour Duncan Antq for Stringmaster Lap Steel Specifications: Antiquity™ Pickups For Stringmaster® top pickup length: 3.272 top pickup width: .645 bottom pickup length: 3.917 bottom pickup width: .895 total pickup height: .590 total magnet height: .625 winding direction: top going (neck), top coming (bridge) magnet polarity: north (neck), south (bridge) calibrated: yes magnet pattern: flush with top, protruding slightly out bottom height adjustment: 6/32 screw in pickguard ...
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Seymour Duncan Antq P90
"Seymour Duncan Antq P90 Seymour Duncan Antq P90 Description: 11034-61 and -62 neck and bridge ""soapbar,"" black cover 11034-63 and -64 neck and bridge ""soapbar,"" cream cover 11034-65 and -66 neck and bridge ""dog ear"" cover Imagine the pickups out of an old '52 gold top or a '59 ES-330. By removing the cover you'll find the same hand-fabricated bobbins, wire and ""flatback"" tape that was used in the originals. Two specially calibrated Dun-Aged™ Alnico II magnets are attached to a precision metal spacer which transfers the magnetic field to the strings via six fillister head pole pieces. The ""soapbar"" version is available with black or cream covers. The ""dog ear"" version comes with an aged thermoformed black cover that looks great! All versions have an authoritative, vintage tone. Seymour Duncan Antq P90 Specifications: Soapbar version Dog Ear version Antiquity™ P-90s Neck Bridge Neck Bridge top pickup length: 3.158 3.158 3.158 3.158 top pickup width: 1.205 1.205 1.205 1.205 bottom plate length: 3.30 3.30 3.30 3.30 bottom plate width: 1.295 1.295 1.295 1.295 total pickup height: .640 .640 .640 .640 total magnet height: .125 .125 .125 .125 winding direction: top coming top coming top coming top coming pickup cover length: 3.365 3.365 4.645 4.645 pickup cover width: 1.365 1.365 1.60 1.6...
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Seymour Duncan Antq for Precision Bass
"Seymour Duncan Antq For Precision Bass Seymour Duncan Antq For Precision Bass Description: Pickups for Precision Bass® 11044-11 pickup for precision bass® (twin coil) The two bobbins are reverse wound and reverse polarity to make the pickup humbucking. The pickups are hand fabricated and wound using traditional techniques and use classic ""push back"" cloth braid hookup wire. Each pickup comes with aged black covers, schematics and mounting screws. 11044-12 pickup for precision bass® , raised ""A"" (twin coil) Like the originals, I use .625"" magnets on the ""A"" string for better string balance. The two bobbins are reverse wound, reverse polarity to make the pickup humbucking. The pickups are hand fabricated and wound using traditional techniques and use classic ""push back"" cloth braid hookup wire. Each pickup comes with black aged covers, schematics and mounting screws. 11044-13 pickup for single coil precision bass® This single coil pickup is a replica of the ones found in the early ""Telecaster® "" single coil P-Bass® . It has four alnico magnets for the traditional sound. Each coil is wound with plain enamel magnet wire and protected with wax coated string. Hookup wire is the classic ""push back"" cloth braid wire. Seymour Duncan Antq For Precision Bass Specifications: Antiquity™ for P-Bass® Twin Coil (regular ""A"") Twin C...
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Seymour Duncan Antq for Telecaster
"Seymour Duncan Antq for Telecaster Seymour Duncan Antq for Telecaster Description: Pickups and Hardware for Telecasters® 11024-21 neck (rhythm) pickup for telecaster® This neck pickup for Telecaster® guitars is wound as a full-sounding rhythm pickup. It comes with an aged, deep drawn cover for vintage looks and added coil protection. The neck pickup comes with schematic and mounting screws. Each pickup re-creates the look and sound of an aged early '50s pickup. The pickup comes complete with screws, schematics and vintage ""push back"" cloth braid hookup wire. 11024-22 bridge (lead) pickup for telecaster® I have a great time re-creating the beauty of an early '50s lead pickup Tele®. Using vintage techniques, each pickup is hand-fabricated and scatter-wound. All parts of the pickup are aged and given the look of a pickup played for 40 years! Like the originals, the ferrous bottom plates are not wax-potted for that ""breakin'-up Tele twang tone"" that's just on the verge of feedback. The pickups are Dun-Aged™ and come with mounting hardware, schematics, and tons of tone! The hookup wire is the classic ""p back"" cloth braid wire. 11024-27 1955 bridge (lead) pickup for telecaster® (raised D & G pole) After early production of the flat pole lead pickup for Telecaster® , the pickups were manufactured with a raised D & G pole for bett...
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Seymour Antq for Jaguar
"Seymour Duncan Antq for Jaguar Seymour Duncan Antq for Jaguar Description: 11034-21 & -22 neck and bridge for jaguar® The neck position is wound ""top going"" and North polarity. The bridge position is wound ""top coming"" and South polarity. When used in combination with each other the pickups will be hum canceling. Both pickups have the traditional pole spacing. The magnets are protruding from the top and bottom of the flatwork for a smooth even response. Each pickup is recreated to fit in your old classic and comes with schematic and mounting screws. Hookup wire is the classic ""push back"" cloth braid wire. Seymour Duncan Antq for Jaguar Specifications: Antiquity™ Pickups For Jaguar® top pickup length: 2.630 top pickup width: .612 bottom pickup length: 3.285 bottom pickup width: .612 total pickup height: .605 total magnet height: .688 winding direction: top going (neck), top coming (bridge) magnet polarity: north (neck), south (bridge) calibrated yes height adjustment: into body magnet pattern: raised top and bottom DC Ohms: 6.8K Inductance: 3 henries Q: 2.2 3.1 Get your Seymour Duncan Antq for Jaguar today!"
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Seymour Duncan Antquity for Strat Texas Hot
"Seymour Duncan Antq for Strat Texas Hot Seymour Duncan Antq for Strat Texas Hot Description: I wound this pickup hotter for added output and fullness. Like my Texas Hot™ , this pickup is both magnetically and physically aged to sound and look like a '50s pickup but with an added punch. Each comes with a specially aged cover. I don't just mold my covers with custom colors so that they look old. The magnets are calibrated and the coils are wound ""top going"" with North polarity, the same as the early vintage models. Each pickup comes complete with screws, schematics, and vintage ""push back"" cloth braid hookup wire. Pickups for Stratocaster® Guitars 11024-01 custom bridge for strat® I wound this pickup hotter for added output and fullness. Like my Texas Hot™, this pickup is both magnetically and physically aged to sound and look like a '50s pickup but with an added punch. Each comes with a specially aged cover. I don't just mold my covers with custom colors so that they look old. The magnets are calibrated and the coils are wound ""top going"" with North polarity, the same as the early vintage models. Each pickup comes complete with screws, schematics, and vintage ""push back"" cloth braid hookup wire. 11024-02 texas hot™ for strat® For years now I've been custom-making these pickups for my friends and special artist friends. Each Tex...
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Electro Voice ANU-14
Electro Voice ANU-14 Electro Voice ANU-14 Description: 1/4 wave UHF antenna, covers 668-746 MHz Get your Electro Voice ANU-14 product today
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DW SM2072 Pad Arm Holder For Ts5 Go Anywhere Set
DW SM2072 Pad Arm Holder For Ts5 Go Anywhere Set Pad Arm Holder For Ts5 Go Anywhere Set Get Your DW SM2072 Pad Arm Holder For Ts5 Go Anywhere Set Today!
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Palatino Anziano Cello Outfit
Palatino Anziano Cello Outfit Palatino Anziano Cello Outfit Description: VC-950 Anziano Cello Outfit Palatino Anziano Cello Outfit Features: Tightly Grained Select Spruce Top Highly Flamed Maple Back & Sides Hand Carved Flamed Maple Neck & Scroll Grade-A Ebony Fittings Octagonal Brazilwood Bow & Slides Featherweight Case Antique Brown Oil Satin Finish Set Up in the U.S.A. Get your Palatino Anziano Cello Outfit today!
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Palatino Anziano Violin Outfit
Palatino Anziano Violin Outfit Palatino Anziano Violin Outfit Description: Anziano Violin Outfit VN-950 Tightly Grained Select Spruce Top Highly Flamed Maple Back & Sides Hand Carved Flamed Maple Neck & Scroll Grade-A Ebony Fittings Octagonal Brazilwood Bow & Slide Deluxe Featherweight Suspension Case Antique Brown Oil Satin Finish Set Up in the U.S.A. Get your Palatino Anziano Violin Outfit today!
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Palatino Anziano Outfit
Palatino Anziano Outfit Palatino Anziano Outfit Description: VA-950 Anziano Outfit Palatino Anziano Outfit Features: Tightly Grained Select Spruce Top Highly Flamed Maple Back & Sides Hand Carved Flamed Maple Neck & Scroll Grade-A Ebony Fittings Octagonal Brazilwood Bow & Slides Deluxe Featherweight Suspension Case Antique Brown Oil Satin Finish Set Up in the U.S.A. Get your Palatino Anziano Outfit today!
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Latin Percussion Valje AP Series
"Latin Percussion Valje AP Series Latin Percussion Valje AP Series Description: 11"" Quinto, Rawhide 11 3⁄4"" Conga, Rawhide 12 1⁄2"" Tumbadora, Rawhide Get your Latin Percussion Valje AP Series Today"
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Casio AP-200
"Casio AP-200 The eleven tones in AP-200 are based upon high performance AiF sound generation, which already is making itself heard in the newest PRIVIA generation and offers a breathtakingly dynamic sound experience. ""Applying a demanding filter technology, the AiF sound generation enables subtle differences in volume and sound nuances depending on the power of the stroke, thus rendering the complex sound of a grand piano with extreme authenticity. Two high quality grand piano sounds do not only fall on open ears with advanced pianists. In addition to 128-note polyphony this instrument features a scaled hammer action keyboard"". Additional functions like, for instance, a recording system (2 tracks, 1 song, 5,000 notes) a layer and split feature as well as numerous terminals (2 headphone terminals, MIDI-IN/MIDI-OUT). Casio AP-200 Specifications: 88 keys with hammer and touch response 128 voices polyphone 11 sounds Metronome 60 internal songs Effects: reverb, chorus, brilliance Internal 2 track recorder Transposer 3 pedals 16 channels multi-timbre receive Midi In/Out jack 2 headphone jacks Loudspeaker 2x8 Watt Dimensions BxHxT in mm: 1395 x 838 x 432 Weight 83lbs Get your Casio AP-200 today!"
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Casio AP-400
"Casio AP-400 A Tri-element AIF Sound Source incorporating very fine stereo sampling of an acoustic grand piano for sounds that are warm and natural, from the instant they start to sound right up until they decay. The Tri-element system uses three different samples taken in each range for accurate reproduction of the different timbres for various keyboard pressures. The original AIF system captures every nuance of keyboard play to put powerful tools of expression at your fingertips. The result is notes of virtually the same richness and clarity as those produced by an acoustic grand. 128-note polyphony 128-note polyphony provides plenty of margin for high-speed passages and for performances that require intensive damper pedal operations. Acoustic Resonance System Using the damper pedal adds acoustic resonance, which is similar to that produced by the vibration of strings in a grand piano. Scaled Hammer Action Keyboard for authentic grand piano feel A spring-less hammer system that is similar to the one used by grand pianos provides a keyboard touch that is naturally firm. Lower notes play relatively heavier than higher notes, just like the keys on a grand piano. Everything about the Privia is designed and built to produce true concert grand piano sound and feel. 2-way 4-speaker system for richer, powerful output A 20W+20W high-output 2-way 4-speaker system outputs low-range ...
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Aria AP-CST
Aria AP-CST Aria AP-CST Description: AP SERIES Brand new Aria AP series offer a parlor size body with solid top body and 648mm full size scale. Beautiful wood binding and Mosaic Rosetta attract all guitar players. Solid Cedar Top, Solid mahogany back & sides parlour size Aria AP-CST Specifications: Top: Solid Cedar Back & Sides : Solid Mahogany Neck : Mahogany Fingerboard : Rosewood Bridge : Rosewood Hardware : Chrome Finish : AVC(Antique Violin Sunburst) Get your Aria AP-CST today!
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Aria AP-DLX
Aria AP-DLX Aria AP-DLX Description: AP SERIES Brand new Aria AP series offer a parlor size body with solid top body and 648mm full size scale. Beautiful wood binding and Mosaic Rosetta attract all guitar players. The AP-DLX is a member of Aria's Parlor Series of guitars. Parlor guitars have a smaller body than a traditional dreadnaught guitar and the AP-DLX has some beautiful detailing and a wonderful, bell-like tone. Solid Sitka Spruce, Mahogany back and sides, Parlour size Aria AP-DLX Specifications: Solid Sitka spruce top Mahogany back and sides Mahogany neck Rosewood fingerboard 648mm scale length Rosewood bridge Chrome Hardware Available in Natural (N) and Brown Sunburst (BS) finishes Get your Aria AP-DLX today!
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Aria AP-STD
Aria AP-STD Aria AP-STD Description: AP SERIES Brand new Aria AP series offer a parlor size body with solid top body and 648mm full size scale. Beautiful wood binding and Mosaic Rosetta attract all guitar players. Solid Red Cedar Top, Mahogany back and sides, Parlour size Aria AP-STD Specifications: Top: Solid Red Ceder Back & Sides : Mahogany Neck : Mahogany Fingerboard : Rosewood Bridge : Rosewood Hardware : Chrome Finish : N, BS, BK Get your Aria AP-STD today!
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Aria AP-STD-II
Aria AP-STD-II Aria AP-STD-II Description: Brand new Aria AP series offer a parlor size body with solid top body and 648mm full size scale. Original torch inlay by Avalon. Aria AP-STD-II Specifications: Top : Solid Spruce Back & Sides : Mahogany Neck : Mahogany Fingerboard : Rosewood Bridge : Rosewood Hardware : Chrome Finish : N,BS Get your Aria AP-STD-II today!
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Yorkville AP1020
Yorkville AP1020 Unique 2 or 4 Ohm optimum load operation gives the AP1020 amp flexible output power as required. A simple user definable configuration allows it to deliver 400 Watts per channel continuous average into either 2 or 4 Ohms. The switch able limiter prevents audible clipping while maintaining full output. Specifications: Cooling: Forced Air Covering / Finish: Black Paint Damping Factor: 300 Input Connectors :(2) XLR & (2) 1/4" Input Impedance Balanced: 22 k ohms Input Impedance Unbalanced: 12 k ohms Output Connectors :(2) Speakon & (2) Binding Post Power Rating 2 Ohm Stereo: 400 Watts Power Rating 4 Ohm Stereo: 260 Watts Power Rating 8 Ohm Stereo: 160 Watts Warranty: Two-Year No Fault Weight: 31.5 Lbs Get Your Yorkville AP1020 Today!
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Shure AP200K
Shure Personal Monitor Ambient Kit For P2R Shure Personal Monitor Ambient Kit For P2R Description: These kits are designed to bring ambience to the PSM 200 wired and wireless in-ear monitor systems. Utilizing a small lavalier microphone, these systems eliminate the isolation that a user experiences while using isolating earphones, such as the E2. The kits are available in the following configurations: AP200k - for use with the P2R Hybrid Bodypack Receiver in wireless mode. Get your Shure Personal Monitor Ambient Kit For P2R Today !!!
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Shure AP201K
Shure Personal Monitor Ambient Kit For P2R Shure Personal Monitor Ambient Kit For P2R Description: These kits are designed to bring ambience to the PSM 200 wired and wireless in-ear monitor systems. Utilizing a small lavalier microphone, these systems eliminate the isolation that a user experiences while using isolating earphones, such as the E2. The kits are available in the following configurations: AP200k - for use with the P2R Hybrid Bodypack Receiver (shown above but not included) in wireless mode. AP201k - for use with the P2R Hybrid Bodypack Receiver (shown above but not included) in wired or hybrid wired/wireless mode Get your Shure Personal Monitor Ambient Kit For P2R Today !!!
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Yorkville AP2020
Yorkville AP2020 The AP2020 weighs a comfortable but solid 35 pounds, fits into two rack spaces, and has the best distortion and noise specifications you will find anywhere. Unique 2 or 4 Ohm optimum load operation gives the AP2020 amp flexible output power as required. A simple user definable configuration allows it to deliver 600 Watts per channel continuous average into either 2 or 4 Ohms. Features: Designed for rock solid performance right down to and below their lowest impedance ratings Will easily drive reactive phase shifted loads Advanced protection schemes including DC current, load, thermal and breaker protection User-defeatable peak limiter that is transparent below clipping levels 'Soft turn-on' circuit eliminates damage to attached components and prevents nuisance breaker-tripping Computer-optimized Silentfan front-to-back heat dissipation system Long-life, faceplate-mounted, user serviceable, air intake filters Front panel Power, Protect, Activity and Clip LED's Speakon and binding post outputs Balanced XLR & 1/4" TRS inputs Impedance Mode switch Sturdy all-steel construction Baked-on, black finish Reinforced mounting ears User defeatable limiter circuit Get Your Yorkville AP2020 Today!
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Yorkville AP4020
Yorkville AP4020 The powerful AP4020/AP4040 weigh a comfortable but solid 40/43 lbs. and occupy only two rack spaces. They deliver 1200 Watts per channel (AP4020 @ 2 Ohms, AP4040 @ 4 Ohms). The AP4020/4040 power amplifiers also incorporate a soft turn-on circuit which eliminates nuisance breaker-tripping on power-up. Specifications: Amplifier Class: H Continuous Average Power @ 2 Ohms BCD (Watts) 1200 (x2) Continuous Average Power Bridged BCD (Watts) 2400 @ 4 Ohms Burst Average Power @ 4 Ohms BCD (Watts) 1200 (x2) Burst Average Power Bridged BCD (Watts) 4350 @ 4 Ohms Frequency Response (Hz, +/- 1dB) 20-20,000 Hum and Noise (un / Aweighted -dB) -103 / -106 THD -1kHz- 4 OHMS 0.01% THD - 20Hz-20kHz, 4 Ohms less than 0.1% Slew Rate (V/uS) 25 Slew Rate Bridged (V/uS) 50 Damping Factor (30 Hz - 400 Hz @ 8 Ohms) 600 Crosstalk (1kHz / 20Hz-20kHz): -75 / -60 dB Input Impedance - Bal/Unbal (Ohms): 20,000/10,000 Input Sensitivity (Vrms) For Full Power Out: 1.4 V Max Voltage Gain (dB): 33 CMRR @ 60Hz (min/typ): 48/56 dB Stereo / Mono / Bridge (S/M/B) S/M/B Protection: DC,Load,Thermal Limiter: Peak High Pass Filter: 40Hz, 12dB Octave Cooling: Internal Fan Cooling Path: Front to Rear Fan Filter: User Serviceable Inputs - XLR: 2 Inputs - 1/4" Jacks: 2 Outputs - Speakon 4-pin: 2 ...
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Yorkville AP4040
Yorkville AP4040 The powerful AP4020/AP4040 weighs a comfortable but solid 40/43 lbs. and occupy only two rack spaces. They deliver 1200 Watts per channel (AP4020 @ 2 Ohms, AP4040 @ 4 Ohms). The AP4020/4040 power amplifiers also incorporate a ‘soft turn-on’ circuit which eliminates nuisance breaker-tripping on power-up. Get Your Yorkville AP4040 Today!
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Yorkville AP6020
Yorkville AP6020 The most powerful Yorkville amplifier ever built. The three rack space AP6020 and AP6040 solve the problem of not having cost effective and practically configured power for subwoofers. With better than 2000W per channel (AP6020 @ 2 Ohms, AP6040 @ 4 Ohms), the AP6020 & AP6040 put plenty of clean power just where you need it. The incorporated ‘soft turn-on’ circuit eliminates nuisance breaker-tripping on power-up while internal protection protects against DC output, thermal overload and inappropriate loads. The user defeatable limiter also prevents audible clipping. Features: Continuous Average Power @ 2 Ohms BCD (Watts) 2000 (x2) Max Voltage Gain (dB) 36 CMRR @ 60Hz (min/typ) 48/56 dB Stereo / Mono / Bridge (S/M/B) S/M/B Protection: DC,Load,Thermal Limiter: Peak High Pass Filter: 40Hz, 12dB Octave Cooling: Dual Internal Fans Cooling Path: Front to Rear Fan Filter: 2x User Serviceable Inputs - XLR 2 Inputs - 1/4" Jacks 2 Outputs - Speakon 4-pin 2 Outputs - Binding Post 2 Power Consumption (typ/max) 1800/3000 Watts Rack Spaces: 3 Transformer Type Toroidal Exterior Finish Baked, Black Painted Dimensions (DWH /D fm ears, inches) 19 x 18.5 x 5.25 x 17.6 Weight (lbs / kg): 67 / 30.4 Get Your Yorkville AP6020 Today!
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Yorkville AP6040
Yorkville AP6040 The most powerful Yorkville amplifier ever built. The three rack space AP6020 and AP6040 solve the problem of not having cost effective and practically configured power for subwoofers. With better than 2000W per channel (AP6020 @ 2 Ohms, AP6040 @ 4 Ohms), the AP6020 & AP6040 put plenty of clean power just where you need it. The incorporated ‘soft turn-on’ circuit eliminates nuisance breaker-tripping on power-up while internal protection protects against DC output, thermal overload and inappropriate loads. The user defeatable limiter also prevents audible clipping. Features: Designed for rock solid performance right down to and below their lowest impedance ratings Will easily drive reactive phase shifted loads Advanced protection schemes including DC current, load, thermal and breaker protection User-defeatable peak limiter that is transparent below clipping levels "Soft turn-on" circuit eliminates damage to attached components and prevents nuisance breaker-tripping Computer-optimized Silentfan front-to-back heat dissipation system Long-life, faceplate-mounted, user serviceable, air intake filters Front panel Power, Protect, Activity and Clip LED's Speakon and binding post outputs Balanced XLR & 1/4" TRS inputs Sturdy all-steel construction Baked-on, black finish Re...
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Yorkville AP812
Yorkville AP812 The AP812 includes all of the power and features of the AP818 but with eight mono channels instead of fourteen. Channels 9 to-12 are configured in stereo with cueing switches and RCA inputs for disc jockey and/or live theater applications. Yorkville AP812 Features: Patching includes switchable mains / monitor amp assignment along with enough inputs and outputs for external audio processing. Speakon™ and 1/4" phone jacks are rear-mounted for convenient speaker output. Inside, SilentFan™ cooling assures quiet, reliable performance. Other features include: Two assignable 9-band graphic equalizers, a 255-preset digital effects processor with footswitchable in/out, phantom power, effects return fader, headphone jack, two LED VU meters, easy access top-mounted input / output jacks, rubber-surround rotary knobs, smooth faders and an optional 19" rackmount kit. Get Your Yorkville AP812 Today!
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Yorkville AP818
Yorkville AP818 With 800 Watts (400 Watts/ch @ 4 Ohms), the eighteen channel AP818 stereo powered console mixer delivers the power and features required for demanding professional performance applications. Uniquely engineered internal SilentFan™ cooling provides quieter performance. Channels 1 to 14 are mono with XLR and 1/4" phone jack inputs, while channels 15 to 18 are configured in stereo with cueing switches and RCA inputs. The AP818 is ideal for all music applications including disc jockey and/or live theater. Yorkville AP818 Features: Patching includes switchable mains/monitor amp assignment along with enough inputs and outputs for external audio processing. Rear-mounted Speakon™ and 1/4" phone jacks are provided for flexible speaker output. Other features include: Two assignable 9-band graphic equalizers, a 255-preset digital effects processor with footswitchable in/out, phantom power, effects return fader, headphone jack, two LED VU meters, easy access top-mounted input / output jacks, rubber-surround rotary knobs and an attractive, durable finish. Get Your Yorkville AP818 Today!
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Vox APAC
Vox APAC With its completely analog design, great care was also taken with amPlug's gain circuitry. The 'AC30' uses two natural-sounding gain stages to reproduce the distinctive AC30 tone. The headphone guitar amp that lets you enjoy serious sound, fast. Jamming late at night? Don't want to wake the neighbors? Maybe you want to work out a lick with your MP3 player without taking the time to set up your amp. You want to play guitar right now - amPlug is the answer. Simply plug this palm-sized headphone guitar amp directly into your guitar, and enjoy serious guitar sound anywhere, anytime. The amPlug series received wide-ranging acclaim from guitarists around the world for delivering incredible guitar tone in a pocket-sized unit. Features: Plugs directly into your guitar/bass - a great-sounding headphone guitar amp that gives you serious sound fast Now available in six styles: Lead, Bass, VOX AC30, Classic Rock, Metal and Acoustic AUX in jack lets you jam along with your CD/MP3 player 100% analog circuit faithfully simulates the response of the original amps 'AC30' emulates the AC30 top boost sound of a vintage VOX AC30 Quick and easy setup. Just connect amPlug to your guitar and enjoy serious sound Specifications: Power Supply: two AAA batteries Battery Life: with Alkaline batteries: approx. 27 hours with zinc-carbon batteries: approx. 10 hours Dimenisons ...
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Vox APAG
Vox APAG Jamming late at night? Don't want to wake the neighbors? Maybe you want to work out a lick with your MP3 player without taking the time to set up your amp. If you want to play guitar right now, amPlug is the answer. Simply plug this palm-sized headphone guitar amp directly into your guitar, and enjoy serious guitar sound anywhere, anytime. The Vox amPlug Acoustic quickly creates shimmering, rich acoustic guitar sounds. Two distinct sounds are available using the Fat/ Bright switch. The Blend combines the acoustic tone with the original signal for just the right mix. In combination with electric guitar's own tone controls and pickup selection, the sound variation is unlimited. The ultra-long battery life provides up to 27 hours of extended enjoyment. At home, in the studio and on the go, Vox amPlug Acoustic headphone amplifier delivers superb acoustic guitar sounds anytime, anyplace. With up to twenty seven hours of battery life, it's easy to take your Vox amPlug Acoustic anywhere. In addition to practicing at home, it's a great way to warm up before a live performance or on the road. And amPlug is not just a convenient way to get great guitar sound. There's also an AUX input jack so you can jam along with your CD/MP3 player. Features: Plugs directly into your guitar/ bass—a great-sounding headphone guitar amp that gives you serious sound fast AUX in jack...
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Seymour Duncan APB-1
Seymour Duncan APB-1 Seymour Duncan APB-1 Description: Application: Modern-voiced, active replacement pickup for P-Bass®. Great for pop, blues, classic rock and heavy rock. Description: Compared to the Lightnin' Rods, the tone is more modern with sharper attack and more punch in the bass response. But unlike other active bass pickups, you don't get any brittleness. Includes logo covers. Complete setup: Available as a split-coil active pickup. Battery life is approximately 2,000 continuous hours. Often used together with STC-2 or -3 Tone Circuits for optimal tonal control. Includes mounting and wiring hardware. Includes logo covers. Guitars: For warmer toned ash, alder or basswood body instruments. Works especially well with rosewood fingerboards. Get your Seymour Duncan APB-1 today!
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Seymour Duncan APB-2
"Seymour Duncan APB-2 Seymour Duncan APB-2 Description: Application: Vintage-voiced, active replacement pickup for P-Bass®. Recommended for country, pop, blues, and classic rock. Description: Gives that traditional ""warm 'n woody"" tone typical of a vintage P-Bass, but with faster response, courtesy of the built-in, fully discrete, ultra quiet, active preamp with excellent dynamic range. Compared to the Pro-Active series, the Lightnin' Rods are vintage-voiced with exposed Alnico 5 rod pole pieces. Includes logo covers. Complete setup: Available as a split-coil active pickup. Battery life is approximately 2,000 continuous hours. Often used together with STC-2 or -3 Tone Circuits for optimal tonal control. Includes mounting and wiring hardware. Includes logo covers. Get your Seymour Duncan APB-2 today!"
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Odyssey APB01 Blank Panel
Odyssey APB01 Accessory Blank Panel - 1 space ( 1.75 in. )
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Odyssey APB02 Blank Panel
Odyssey APB02 Accessory Blank Panel - 2 space ( 3.50 in. )
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Vox APBA
Vox APBA The headphone guitar amp that lets you enjoy serious guitar sound, fast. Jamming late at night? Don’t want to wake the neighbors? Maybe you want to work out a lick with your MP3 player without taking the time to set up your amp. You want to play guitar right now. amPlug is the answer. Simply plug this palm-sized headphone guitar amp directly into your guitar, and enjoy serious guitar sound anywhere, anytime. The amPlug series received wide-ranging acclaim from guitarists around the world for delivering incredible guitar tone in a pocket-sized unit. The NEW amPlug 'Acoustic' quickly creates shimmering, rich acoustic guitar sounds. Two distinct sounds are available using the Fat/ Bright switch. The Blend combines the acoustic tone with the original signal for just the right mix! In combination with electric guitar's own tone controls and pickup selection, the sound variation is unlimited. The ultra-long battery life provides up to 27 hours of extended enjoyment! At home, in the studio and on the go, amPlug Acoustic delivers superb acoustic guitar sounds anytime, anyplace. 'Lead' is based on a US-made high-gain boutique amp, further modified for lead guitar. It also contains a digital delay effect, delivering a huge, spatial sound that could not be previously obtained, and giving you a rich and full-fledged lead sound that you can play anytime and anywhere. '...
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Roland APC-33
Roland APC-33 Roland APC-33 Description: Roland APC-33 Clamp Set with Mounting plate. Attaches the SPD-20 Total Percussion Pad or SPD-6 Percussion Pad to a conventional cymbal stand for use with an acoustic drum kit. This clamp can be used to attach an SPD-Series percussion pad to a conventional cymbal stand for use with a V-Drums or acoustic drum kit. Get your Roland APC-33 today
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Vox APCAB
Vox APCAB The amPlug series of guitar headphone amplifiers offer a great way to enjoy serious guitar/bass amp sound whenever and wherever you practice. Each amPlug offers an amazing level of sound quality; far beyond what one might expect from a unit of this size. Combined with play-anywhere convenience and solid good looks, the amPlug series have quickly become best-sellers, and continue to attract legions of users. It goes without saying that because the amPlug is headphone amp, you can hear the sound only through headphones. We know there are probably times when you'd like to share your amPlug sound, and that's where this new product comes in! Using the amPlug Cabinet, you can quickly convert any amPlug into tabletop mini-stack. Connection is easy; just insert the amPlug unit into the amPlug Cabinet, and plug the dedicated cable from the amPlug cabinet into the amPlug. With its retro VOX design, the amPlug Cabinet creates an imposing miniature amp stack that is both attractive, and enjoyably incongruous. Equipped with a 3" VOX speaker and 0.7 Watts of power, the amPlug Cabinet is compatible with all amPlug models, so you can use a variety of amPlugs with a single amPlug Cabinet. Features: Output Power: 0.7W Speaker: VOX Original 3" x 1 Power supply: 9V battery (6F22, 6LF22/6LR61) or AC adapter (sold separately) Current consumption:55 mA Battery life: Wit...
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Vox APCR
Vox APCR The Vox amPlug is a headphone amp that can help you to create the perfect practice session. The tiny amPlug plugs directly into your guitar-then just plug in your headphones and relish some great Vox tone. Jamming late at night? Don't want to wake the neighbors? Maybe you want to work out a lick with your MP3 player without taking the time to set up your amp. If you want to play guitar right now, amPlug is the answer. Simply plug this palm-sized headphone guitar amp directly into your guitar, and enjoy serious guitar sound anywhere, anytime. Even with its ultra-compact size, the Vox amPlug perfectly reproduces the complex and warm distortion that is distinctive of a vacuum tube, as well as the powerful high gain produced by a large amp stack. Using analog modeling technology, amPlug delivers full-fledged amp sound. Even the circuit response of the original amp is simulated completely. The simulation extends not only to the response of the tone circuits, but also to the way in which the high frequency and gain are affected when you turn down the volume control of the guitar. Every detail has been faithfully reproduced. amPlug can be used in numerous ways. With up to fifteen hours of battery life, it's easy to take amPlug anywhere. In addition to practicing at home, it's a great way to warm up before a live performance or on the road. And amPlug is not just a con...
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Electro Voice APD4
"Electro Voice APD4+ Electro Voice APD4+ Description: The APD4+ provides diversity antenna and power connections for up to four RE-2, RE-2PRO, or RE-1 CSR-1000 receivers. By cascading the APD4+ up to 16 channels of receive can be run from just two antennas. With the CDR-1000 RE-1 Dual receiver up 24 channels of receive can be run from two antennas and just one APD4+. All unused antenna outputs must be terminated with a TP-2 termination plug. Provides antennas and power for 4 diversity receivers Electro Voice APD4+ Features: Internal switching power supply Green LED On Indicator on front panel Can be cascaded with more splitters to supply more receivers. The APD4+ Amplified Antenna Splitter makes it possible to operate four UHF wire less diversity microphone receivers on four separate frequencies using only two antennas. It also features a high degree of output isolation; a necessity in multi-frequency systems to prevent intermodulation. The APD4+ Splitter is compatible with Electro-Voice and Telex UHF diversity wireless receivers. The APD4+ is equipped with TNC type connectors. Low loss coaxial cables are also supplied for splitter to receiver antenna jack connections. The APD4+ has an internal power supply. Power out jacks and cables are provided to supply up to four receivers thus eliminating excess power supply clutter. Rack panel mounting ""ears"" al low the APD4+ to...
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Apex APEX-DP1
Apex APEX-DP1 The Apex-DP1 drum pack contains four of the essential dynamic microphones for miking a basic drum kit. Designed for use in most live applications where cymbals and overheads don't need to be reinforced, but the kick, snare and toms needs to get into the mix with authority. One Apex125 large diaphragm dynamic microphone is included in the package. Ideally suited to handling the extremely high SPL and extended low frequencies that most bass drums can produce, the mic's element is protected in a solid zinc die-cast outer casing and can easily handle 165dB SPL at the input. The three Apex126 mics in the Apex-DP1 are designed from the ground up for a drum kit, and are ideally suited for the demanding job of miking the snare and toms. Made of a rugged zinc die-cast casing to protect the mic's elements from the occasional stick hit that is inevitable over a drumhead, the Apex126 is the perfect blend of performance and toughness. A cardioid polar pattern offers maximum rejection 180 degrees off axis, handling high SPL with a minimum of cross talk in the drum mix. The Apex126 can easily handle up to 145dB SPL at the input, and comes equipped with a rubber shock-absorbing clip made for mounting on the drum rim. This clip is solid, designed not to shift position or to damage your snare's chrome or brass rim. Features: One Apex125 large diaphragm dyn...
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Apex APEX-DP2
Apex APEX-DP2 The best way to mic a drum kit is with a combination of specialized dynamic and condenser microphones. The six microphones in the Apex-DP2 Drum Pack have been specifically selected to provide the most complete and comprehensive miking system for a standard 5-piece drum set. The Apex-DP2 is also the ideal starting point for building a microphone package for an extended drum kit. The popular Apex125 and Apex126 microphones handle the vital kick and snare drums respectively. Ideally suited to handling the high SPL and extended low frequencies that most bass drums can produce, the Apex125's element is protected in a solid zinc die-cast outer casing and can easily handle 165dB SPL at the input. Made of a rugged zinc die-cast casing to protect the mic's elements from the occasional stick hit that is inevitable over a drumhead, the Apex126 is the perfect blend of performance and toughness. A cardioid polar pattern offers maximum rejection 180 degrees off axis, handling high SPL with a minimum of cross talk in the drum mix. The three Apex165 microphones included in the Apex-DP2 pack handle the high SPL you would expect when close miking a tom. Their miniature design comes complete with shockmount assembly and gooseneck clamp, perfect for safe attachment to any drum rim without damaging or breaking the chrome or lacquer. It's unobtrusive...
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Apex APEX-DP3
Apex APEX-DP3 The Apex-DP3 drum pack contains all of the microphones necessary for miking the drum kit in most live of studio applications. Specialized dynamic mics for the snare & toms as well as a large diaphragm dynamic mic or the kick drum cover the basic kit. Two highly effective pencil condenser microphones are included for use on hi-hats, accessory percussion or for use as overheads. The Bass Drum: The Apex125 large diaphragm dynamic microphone is ideally suited to handling the high SPL and extended low frequencies that most bass drums can produce. The mic's element is protected in a solid zinc die cast outer casing and can easily handle 165dB SPL at the input. The hyper-cardioid polar pattern offers maximum sound rejection from 180 degrees off axis, or the back of the microphone and provides improved isolation from other instruments or 'cross-talk' from other parts of the drum kit. The Snare and Toms: The Apex126 is designed from the ground up for drum kit, and is ideally suited for the demanding job of miking the snare and toms. Made of a rugged zinc die cast casing to protect the mic's elements from the occasional stick hit that is inevitable over a drumhead, the Apex126 is the perfect blend of performance and toughness. A cardioid polar pattern offers maximum rejection 180 degrees off axis, handling high SPL with a minimum of cross talk in ...
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Apex APEX-SP1
Apex APEX-SP1 The Apex-SP1 is a prepackaged set of microphones designed to be the ideal starting point for the home or project studio enthusiast. This kit contains one Apex435 medium diaphragm condenser microphone and two Apex180 pencil condenser microphones with interchangeable omni-directional and cardioid capsules. Rugged construction, high SPL handling in a compact chassis makes the Apex435 an ideal choice for live sound reinforcement or lives recording applications, and is the ideal choice for the Apex-SP1 kit. The Apex435 uses the same proven capsule and electronics of the popular Apex430; however it is mounted in a lighter, more compact chassis. Its ideal applications can be overhead mic for drum kits, for guitar or bass cabinets where superior sound quality and high sound pressure handling is required. It is also the microphone of choice for saxophones, flutes, brass or woodwinds, acoustic guitars or acoustic bass where subtlety and clarity is paramount. Also included in the Apex-SP1 Studio Pack are two Apex180 pencil condenser microphones. The Apex180 pencil microphone is one of the most versatile small condenser microphones available, and is an essential addition to your microphone toolkit. This single microphone outfit is really two microphones in one. The Apex180 is shipped with two separate interchangeable microphone heads, one a hyper-cardio...
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Apex APEX-SP2
Apex APEX-SP2 The Apex-SP2 is a prepackaged set of four microphones designed to complete any studio. It contains one Apex460 large diaphragm multi-pattern tube condenser microphone with power supply, two matched Apex185 dual-pattern pencil condenser microphones, and one Apex415 solid-state tri-pattern large diaphragm condenser microphone, all in one convenient carry-case. All of the microphones in the Apex-SP2 package are shipped with their appropriate shock mounts and windsocks. The central element of the Apex-SP2 package is the Apex460 multi-pattern tube microphone outfit. The Apex460 boasts an integrated 12AT7 driven tube circuit built into the microphone itself that ensures clean, warm tone and incredible gain. Any one of nine different polar patterns can be easily selected from the control knob on the front panel of the Apex460's external power supply module making the Apex460 one of the most versatile high performance tube microphones in its class. The Apex415 large diaphragm condenser microphone operates in either cardioid, omni-directional or figure-8 polar patterns, has on board �10dB pad and low frequency roll off switch. An excellent choice for any application where subtlety and clarity is paramount and high sound pressure handling is required. The rugged Apex415 is also the microphone of choice for live recording or live sound reinforcem...
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Apex APEX-SP3
Apex APEX-SP3 The three microphones that make up the Apex-SP3 pack have been selected for their individual character and unique tonal qualities. This makes it the ideal solution for any highly creative recording environment needing varied and versatile microphone toolkit. An Apex205 ribbon microphone, an Apex185 pencil condenser microphone, and an Apex415 three-pattern wide diaphragm condenser microphone complete the package. The Apex415 and Apex185 come with shockmounts, while the Apex205 comes with its integrated standmount. All of the microphones in the Apex-SP3 kit come with their individual windsocks and a convenient carrying case. The center of the Apex-SP3 package is the Apex205 ribbon microphone. The Apex205 has been engineered to deliver the warmest and most natural sound reproduction, available only from the classic ribbon microphone design. Incredibly fast and accurate transient response and stunning realism make the Apex205 ribbon microphone ideal for today's direct to digital recordings. Although ribbon microphones are by their nature extremely fragile, the Apex205 can handle high sound pressure levels. The low-tension 2-inch long, 2-micron thick aluminum ribbon design offers audio reproduction with smooth, natural extended low and high frequency response. The asymmetrical figure-8 pickup pattern has an extended sweet spot on the rear face o...
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Apex APEX-VP1
Apex APEX-VP1 It is generally considered advantageous in live sound reinforcement situations for all vocalists on stage to be using the same type of microphone. This allows the front of house engineer to mix confidently, knowing all of the microphones are going to exhibit the same characteristics and response at the mixing console. The Apex-VP1 Vocal Pack puts three identical Apex381 dynamic hand held vocal microphones into a convenient carrying case with clips and cables for artists on the move. The APEX381 low impedance hand-held dynamic microphone is an outstanding choice for live vocals. It features a high-energy neodymium magnet, double dome mylar diaphragm with aluminum alloy voice coil, carefully engineered to provide incredibly high output, high sensitivity and a linear frequency response. An internal double shockmount system significantly reduces handling & extraneous noise while a unique filter minimizes breath noise and popping caused by some consonants. The Apex381's tight hypercardioid pattern allows maximum gain before feedback and excellent 'off axis' rejection, making it one of the most controllable microphones for use on a tight stage or in an environment where feedback and cross talk between vocalists and instruments might become an issue. The extremely rugged, heat-treated metal grille is highly shock resistant for better element ...
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Apex APEX115
Apex APEX115 The Apex115 is a premium quality hypercardioid hand-held condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. Used for professional sound reinforcement, recording applications and broadcast, the Apex115 delivers studio quality performance with the ruggedness needed for live stage. Features: The Apex115 features a smooth low-frequency roll-off that compensates for proximity effect offering a more controlled bass response. Crisp top end, tight midrange and predictable proximity effect characteristics mean the Apex115 performs amazingly well in demanding live vocal applications, with digital recording systems, computer-based studios and high performance analog recording systems. The Apex115 requires phantom power to operate, and has a frequency response of 70 to 18,000Hz, and a 65dB signal to noise ratio. It is shipped with a custom fit mic clip. Get Your Apex APEX115 Today!
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Apex APEX125
Apex APEX125 The Apex125 is ideally suited to handling the high SPL and extended low frequencies that most bass drums can produce. The mic''s elements are protected in a solid zinc die cast outer casing for additional protection, and can easily handle 165dB SPL at the input. The hyper-cardioid polar pattern offers maximum sound rejection from 180 degrees off axis, or the back of the microphone. The tight hyper-cardioid pattern also provides improved isolation from other instruments on the stage or bleed from other instruments in and around the kit. Extended low frequency response and a smooth response curve ensure a natural, punchy and clean signal from the bass drum. Get Your Apex APEX125 Today!
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Apex APEX126
Apex APEX126 Ideally suited for the demanding job of miking the snare and toms, the Apex126 is designed from the ground up for drum kit. Made of a rugged zinc die cast casing to protect the mic's elements from the occasional stick hit that is inevitable over a drumhead. The Apex126 has a cardioid polar pattern offering maximum rejection 180 degrees off axis and can easily handle up to 145dB SPL at the input. The tight cardioid pickup pattern also helps the front-of-house engineer further define the drum mix by separating the toms from crosstalk between mics. This becomes more and more important as the mic signal is often used to trigger any of the drum modules currently in the marketplace, as well as feed the front of house drum mix cleanly and with definition. It comes equipped with a rubber shock-absorbing clip made for mounting on the drum rim. This clip is solid, designed not to shift position or to damage the drum's chrome or brass rim. Get Your Apex APEX126 Today!
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Apex APEX127
Apex APEX127 The Apex127 has been designed to be the ideal blues harp mic. The unique shape allows the microphone to be cupped comfortably in the players' hand during live performance, while the polished brass shell protects the microphone capsule. The uniquely designed rear venting allows for far more dramatic hand wah and flutter effects than can be achieved with other, closed back harmonica microphones while improving the Apex127's overall feedback rejection characteristics. The Apex127's tight cardioid polar pattern is most sensitive from the front face of the capsule, while rejecting sound from the sides and back of the microphone. Although the cardioid pattern is usually the best design for live, high volume environments, please be aware that the mic's ability to reject feedback will vary when the rear vents are covered. The Apex127 is a true dual impedance microphone, and will work when connected to any low impedance microphone input on mixing console or mic preamp via standard high quality XLR microphone cable. If the Apex127 is going to used with a high impedance source such as a guitar amp, or used with a volume pedal, an XLR to 1/4-inch line transformer such as the Apex AA14 should be used for best results. Features: Polished steel shell protects low mass diaphragm Bullet Shape fits perfectly in the palm of your hand Unique rear vented...
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Apex APEX130
Apex APEX130 One of the most unique and most versatile mics in the Apex line is the APEX130 surface mount condenser microphone. The APEX130 is a low profile condenser boundary microphone designed for conference rooms, council chambers, church pulpits or lecterns. It also has been found to be an ideal solution for reinforcing or recording stage plays, orchestral and operatic performances or dance performances where the sound of the stage is as important to the audience as the music. It has found itself to be the microphone of choice for live sound reinforcement or recording instruments like grand pianos, in some bass drums or around percussion sections. It is also ideal for any and all broadcast applications where full and natural room sound is a necessity. The distinct advantage of the APEX130 is apparent when mounted on a large flat surface. Direct and reflected sound arrive at the diaphragm in phase. This means that the directionality of the microphone is increased, the user sees more gain before feedback and increased suppression of unwanted ambient noise. The superior design of the APEX130 means phase coherency up to the highest frequencies resulting in wide, smooth frequency response and increased sensitivity. Get Your Apex APEX130 Today!
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Apex APEX140
Apex APEX140 The Apex140 is a miniature electret condenser cardioid microphone permanently attached to a slim, flexible gooseneck. It readily provides the performance needed for any podium mounted public address or broadcast application. The Apex140 features a controlled low frequency roll off, a smooth mid range and a specially contoured upper range designed specifically to give a far more natural and brighter sound in all environments where clear, concise and clean voice reproduction is required. A superior and uniform unidirectional polar pattern minimizes feedback, reverberation, back ground noise and off-axis coloration. It has an XLR (male) connector built into the base, making it ideal for podium mount with the optional Apex podium shock mount adapter. Included with the Apex140 is a foam windscreen to reduce wind noise and speech produced popping sounds during more enthusiastic sermons, and speeches. Features: Available Options: Apex-PM - Podium Mount for Apex140 Get Your Apex APEX140 Today!
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Apex APEX145
Apex APEX145 The Apex145 is a dynamic cardioid tabletop microphone with an integrated stand base and a silent, latching on /off switch. This makes it an ideal mic for use in a conference rooms, seminars or press conferences. It can be placed on a conference table or on a lectern or podium where permanent mounting isn't practical. This is also an ideal choice for applications where the person speaking needs to be able to turn on or off their own microphone at the source. The Apex145 has a die-cast weighted base, balanced XLR output, and an integrated 18-inch gooseneck. Get Your Apex APEX145 Today!
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Apex APEX150
Apex APEX150 The Apex150 is a professional miniature high output cardioid condenser microphone particularly suitable for choirs and other situations where it is important for the microphone to be ''invisible'' to the audience. The Apex150 comes complete with a metal wire hanger and a mini XLR to standard XLR adapter. Frequency response is 30Hz to 18kHz and signal to noise is better than 65dB. Impedance is 250 Ohms and the operating voltage can range from 22V to 48V DC. This microphone is shipped with hanger assembly and tie clip, and has an attached 6 metre cable. The Apex150 is available in white (Apex150W) for install applications where the lighter colour option is required. Get Your Apex APEX150 Today!
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Apex APEX162
Apex APEX162 Probably the most unique microphone in the line, the Apex162 is a true stereo mini condenser microphone designed specifically for use with minidisc recorders or portable dat machines. The 1/8th inch mini TRS connector is fixed directly to the microphone and mounted on a swivel base allowing the mic to be angled up to 90 degrees forward when attached directly to a recording device. A 4.3 metre (14 foot) mini TRS extension cable is included for maximum versatility. The Apex162 requires 1.5-volt DC phantom power to operate. Ideal for event recording, Electronic News Gathering, ambience recording or for use in broadcast, the small and inconspicuous Apex162 is shipped with pop filters and a five-metre cable with TRS 1/8th inch mini-jack. Small and inconspicuous design makes the Apex162 ideal for use in any application where quality stereo recording is required, yet the microphone itself needs to be virtually invisible. Get Your Apex APEX162 Today!
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Apex APEX165
Apex APEX165 The Apex165 is particularly suited for many different types of instruments including sax, trumpet, trombone, woodwinds, acoustic (especially classical) guitars, cello, Double Bass and drums. It has also been successfully utilized (with user modifications to the clamp assembly) on violins and violas, accordions and ducilmers. Don't let its size fool you. This microphone handles the high SPL you would expect when close miking a tom or brass wind instrument. The Apex165's miniature design comes complete with shockmount assembly and gooseneck clamp, perfect for safe attachment to brass instruments, conga rims and drum rims without damaging or breaking the chrome or lacquer. It's unobtrusive, easy to attach to any instrument and almost impossible to accidentally dislodge, even during enthusiastic live performances. Get Your Apex APEX165 Today!
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